Here’s one more image of the Kinkakuji temple in Kyoto. I wanted to post this separately as I felt that the Kyōko-chi pond (the Mirror Pond) deserved attention. The reason the pond, designed in the Muromachi period, is called the name Mirror pond is that it reflects the Golden Pavilion. It contains 10 small islands, which according to Wikipedia represent famous places in Chinese and Japanese literature, and it seems that the surroundings of the pavilion were built according to descriptions of the Western Paradise of the Buddha Amida, the largest islet representing the Japanese islands.
Even though you weren’t interested in the history of the pond, there’s no denying that the golden pavilion wouldn’t be half as spectacular without the carefully designed pond that really makes the building shine.
There’s a time for words and a time for images, and now’s the latter. I already wrote about the Rokuonji temple in a previous post so I won’t go into detail about its history anymore. Instead I decided to show the temple’s main attraction, Kinkaku, the golden pavilion from different angles that you see when you walk around the pond and the temple area. I was extremely lucky that the evening when I visited the temple turned out so beautiful. I hope you enjoy these images!
After a quick tour at the Nijo Castle, we headed to the final destination of the day, the famous Kinkakuji temple or the Temple of the Golden Pavilion. The official name of the temple is Rokuonji, but Kinkakuji has become the more common name for it. it is probably one of the most famous buildings in Kyoto, and also one of the city’s World Heritage Sites. And like many other temple’s in Kyoto, Kinkakuji too was burned down by a monk, although the arson at Kinkakuji took place as late as the 1950s.
The top floor of the Pavilion is covered with leaf gold, and the architecture of each floor is different. There’s a detailed description of the temple in Kinkakuji in Wikipedia, so I’m not going to copy and paste the article here in its entirety. What I like about the temple site even more than the temple though, is the garden around the temple. If you happen to go there when the number of tourists is low, it is a quiet and relaxing environment. We visited the temple in early October and entered about 15 minutes before the closing time, which meant that most of the visitors had already left and because the trees had not yet changed to autumn colors, it wasn’t the peak tourist season. We walked around the area taking photos until a guard ushered us out, but it wasn’t until 25 minutes after the closing time that we actually left the area.
I’ve also visited Kinkakuji in winter (early February), and because Kyoto gets a bit chilly in winter (not really, if you’re a Finn), there weren’t a lot of visitors then either. It also happened to snow that time so I got to see Kinkakuji covered in snow. So, although Kyoto’s temple’s are beautiful in autumn and the climate is really pleasant then, I wouldn’t shy away from visiting Kyoto during other seasons either.
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Although the title of this post says Nijō Castle, the image above is actually of the castle’s outer wall and moat. Unfortunately we were in a kind of hurry between too places when we visited the castle, so I didn’t take a lot of photos there. The Nijō Castle was It was built as the Kyoto residence of the Tokugawa Shoguns and it was completed in 1626 during the reign of Tokugawa Iemitsu. Many of the palace’s buildings have been destroyed in fires during the past centuries, but there are still a few magnificent ones left, such as the Ninomaru palace. It houses beautiful artwork and is known for its “Nightingale floors”. They are designed to make a chirping sound when walked upon to ensure that no one could sneak through the corridors undetected. There are also three beautiful gardens in the palace area – the oldest of them originating from the Edo period (1603-1868). Like many of the temple’s and castles in Kyoto, Nijō Castle is also a UNESCO World Heritage Site.
If you’re wondering what a nightingale floor sounds like, listen to the clip below – it’s a really peculiar sound (sorry for the background noise).
Often when visiting a new place, I tend to photograph wider landscapes to record an overall picture of the place. While I think it’s important to make those images as well and I primarily shoot landscapes, it often results in overlooking the details of the place. Looking at the photographs others have taken from locations I have visited, I’ve come to realize that as much as the entire view, the details help tell the story of the place as well. These ornate stairs at Kiyomizudera caught my eye when we were finishing our tour of the temple and leaving the area. In this case it was the aging staircase with all its cracks and the red autumn leaves on the stairs that made be want to press the shutter. The day was beautiful and sunny, but I did warm the image up and add some flare in post-processing to emphasize the summery feeling.
By the way, I hope you like the new layout of the blog. I’m still working on it, but think it makes the photos look better and is generally easier to read. What do you think?
This image was taken at the Kiyomizudera temple on a path that leads from the Oku-no-in hall down to the Otowa waterfalls. It’s one of the views of Kyoto that most visitors probably photograph (just do a search for “Kiyomizudera” and “Kyoto cityscape”), so I wanted to try to make my version a bit more personal.
The image was taken at noon and the light was a bit hard, so I softened in by applying one of DxO’s classic film presets on it. I then added a couple of paper textures on the sky in Photoshop and a third texture with a warm tone on the foliage to soften it a bit more. I don’t remember an image of this view with similar treatment or tones before, so I’m quite happy with the result. I might even end up printing this for my study.
Jingu Michi road is abundant with buddhist temples and shinto shrines that offer a lot to see. One of the things that drew my attention were these old ancient trees at the Shōren-in temple’s website, a buddhist temple of the Tendai sect. This time we decided to admire the Camphor trees from the street instead of visiting the temple, but it is on my list of places to visit in the future. The entrance costs 500 yen for adults.
The processing of this image was quite simple. After some basic edits in Lightroom, I switched over to Photoshop where I removed power lines and other small but distracting objects. Then I opened the image in OnOne Perfect Effects, where I applied a paper texture selectively on the image to emphasize the warm tone and to add some vignetting to it. As you can see from Google street view below, the tree is as magnificent, if not even more spectacular, as it looks in the photo.
This view of Okazaki Canal was shot at the same spot than the one I posted previously, but to the opposite direction. The A view east along Okazaki Canal on Explodingfish.net shows the view East towards the city while this one shows autumn at Okazaki Canal and a view west towards the Higashiyama mountain range. Because it was early autumn, the trees on the mountains are still green and only a few of the cherry trees along the canal have started changing color.
Here’s one more shot of Heian Shrine’s torii gate. I took this on the way to our next stop and tried to capture the gate from below to emphasize its size. I’m not sure if this image really conveys its enormity, but I do like the contrast between the red gate and the blue sky. Using a wider lens would’ve probably given a better result, but I didn’t want to include too much of the trees to the image.
Omikuji are fortunes written on strips of paper that visitors can buy at Shinto shrines and Buddhist temples. People can make a small donation and select a random fortune from a box. The omikuji contains a general fortune which varies between great luck and great curse. The fortune paper also includes fortunes regarding different aspects of life, such as business, travel, studies, romance and marriage. If the fortune is bad, it is customary to tie the paper to a tree in a shrine. The reason for this is that the bad luck will stay at the shrine instead of following the person. It’s a similar custom to writing a prayer on an ema with the exception that with ema people can specify what they wish from the future.